ResurRec Japan: demand in Japan and whether it serves all of Asia
Revenue model, ResurRec Japan section: RIAJ 2025 vinyl production (3.38M records, 8.4bn yen, fifth year of growth), short domestic supply (6 to 12 month lead times at Toyo Kasei and Sony per P-Vine, orders placed abroad via brokers), the photographed presses at about a fifth of Japan's volume on one shift. No published Asia-wide intent; the rest of Asia has local plants, so Japan-from-Japan and SEA-from-Bangkok is our reading. Consequence for CNX's ~0.74M regional demand (roadmap item 1).
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@@ -542,9 +542,64 @@ load is about the same, so per record the AD12s use about a third less
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steam (~1.2 kg against ~1.8 to 1.9 kg at rated output; vendor figures and
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our sizing).
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**Demand in Japan.** Japanese labels produced **3.38 million records in
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2025**, worth ¥8.4 billion (about ¥2,500 a record at producer prices),
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the fifth year of growth in a row: 2.69M in 2023, 3.15M in 2024
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([RIAJ series](https://www.riaj.or.jp/data/annual/trends/anlg/),
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[RIAJ release of 22 January 2026](https://prtimes.jp/main/html/rd/p/000000645.000010908.html);
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checked October 2026). These are shipments by RIAJ member labels and the
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non-members they distribute, not plant output: imported records come on
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top, and records Japanese labels press abroad are probably inside (our
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reading). Supply is short:
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- P-Vine said orders at Toyo Kasei and Sony, the two large plants, took
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six months to a year to deliver, which is why it built its own plant
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(VGAP) in 2024
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([Phile-web, 15 October 2024](https://www.phileweb.com/news/audio/202410/15/25744.html)).
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- Toyo Kasei makes about 800 records a day per press
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([Audio-Technica, 2024](https://www.audio-technica.co.jp/always-listening/articles/record-craft-02/)).
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- Brokers such as Wolfpack place Japanese orders with GZ Media and other
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plants abroad
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([Wolfpack](https://www.wolfpack-united.jp/service/)).
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The three presses in the photo, at 0.60 to 0.76M a year on one shift,
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would be **about a fifth of Japan's 2025 volume** (a little over a third
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to under half on two shifts). Japan alone can fill the plant if it wins
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orders from the long queues and from pressing abroad; it does not need
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the rest of Asia to do so.
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**All of Asia?** Nothing ResurRec has published says so. Our reading of
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the evidence:
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- Japan is the prize: large, growing, short of domestic capacity, and
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where ResurRec's Thai pressings were already sold.
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- The rest of Asia has local plants: South Korea (Machang Music &
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Pictures since 2017, FRYK), Taiwan (Mobineko, which sells to Korean
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labels and Southeast Asia, and Deep Sound), Hong Kong (PrimeDisc),
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mainland China (Yongtong, China Etech, Pacific Audio & Video, Purple
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Media, Starlight) and Indonesia (PHR Pressing, ~30,000 records a month
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at its 2023 launch), per
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[GigLife Pro](https://giglifepro.com/articles/vinyl-pressing-plants-in-apac),
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[Total Sonic](https://totalsonic.net/vinylplants.html) and
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[Mobineko](https://mobineko.com/uk) (checked October 2026).
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- Japanese labour and power cost more than Thai, so Bangkok stays the
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cheaper base for Southeast Asia, where it already ships to Hong Kong,
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Singapore and Vietnam (Bandwagon, 2023).
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A split of Japan served from Japan and Southeast Asia from Bangkok fits
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this better than one Asian hub. It is an inference, to ask about in the
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collaboration talks.
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For CNX it means the ~0.74M records a year the plan needs from Asian
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labels ([roadmap](../roadmap.md) item 1) has to come more from Southeast
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Asia, the rest of Asia and Western export, where the plants above
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compete, and less from Japan's queue. That makes the buyer conversations
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in item 1 more pressing, not less.
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Open questions: where the Japan plant is, since when, how many presses
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and which, whether it plates, and whether Bangkok keeps its orders or
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volume work moves to Japan.
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and which, whether it plates, whether Bangkok keeps its orders or
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volume work moves to Japan, and which markets each plant is meant to
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serve.
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## Pricing assumptions (what a pressing plant charges)
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