ResurRec Japan: demand in Japan and whether it serves all of Asia

Revenue model, ResurRec Japan section: RIAJ 2025 vinyl production
(3.38M records, 8.4bn yen, fifth year of growth), short domestic supply
(6 to 12 month lead times at Toyo Kasei and Sony per P-Vine, orders
placed abroad via brokers), the photographed presses at about a fifth of
Japan's volume on one shift. No published Asia-wide intent; the rest of
Asia has local plants, so Japan-from-Japan and SEA-from-Bangkok is our
reading. Consequence for CNX's ~0.74M regional demand (roadmap item 1).
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@@ -542,9 +542,64 @@ load is about the same, so per record the AD12s use about a third less
steam (~1.2 kg against ~1.8 to 1.9 kg at rated output; vendor figures and
our sizing).
**Demand in Japan.** Japanese labels produced **3.38 million records in
2025**, worth ¥8.4 billion (about ¥2,500 a record at producer prices),
the fifth year of growth in a row: 2.69M in 2023, 3.15M in 2024
([RIAJ series](https://www.riaj.or.jp/data/annual/trends/anlg/),
[RIAJ release of 22 January 2026](https://prtimes.jp/main/html/rd/p/000000645.000010908.html);
checked October 2026). These are shipments by RIAJ member labels and the
non-members they distribute, not plant output: imported records come on
top, and records Japanese labels press abroad are probably inside (our
reading). Supply is short:
- P-Vine said orders at Toyo Kasei and Sony, the two large plants, took
six months to a year to deliver, which is why it built its own plant
(VGAP) in 2024
([Phile-web, 15 October 2024](https://www.phileweb.com/news/audio/202410/15/25744.html)).
- Toyo Kasei makes about 800 records a day per press
([Audio-Technica, 2024](https://www.audio-technica.co.jp/always-listening/articles/record-craft-02/)).
- Brokers such as Wolfpack place Japanese orders with GZ Media and other
plants abroad
([Wolfpack](https://www.wolfpack-united.jp/service/)).
The three presses in the photo, at 0.60 to 0.76M a year on one shift,
would be **about a fifth of Japan's 2025 volume** (a little over a third
to under half on two shifts). Japan alone can fill the plant if it wins
orders from the long queues and from pressing abroad; it does not need
the rest of Asia to do so.
**All of Asia?** Nothing ResurRec has published says so. Our reading of
the evidence:
- Japan is the prize: large, growing, short of domestic capacity, and
where ResurRec's Thai pressings were already sold.
- The rest of Asia has local plants: South Korea (Machang Music &
Pictures since 2017, FRYK), Taiwan (Mobineko, which sells to Korean
labels and Southeast Asia, and Deep Sound), Hong Kong (PrimeDisc),
mainland China (Yongtong, China Etech, Pacific Audio & Video, Purple
Media, Starlight) and Indonesia (PHR Pressing, ~30,000 records a month
at its 2023 launch), per
[GigLife Pro](https://giglifepro.com/articles/vinyl-pressing-plants-in-apac),
[Total Sonic](https://totalsonic.net/vinylplants.html) and
[Mobineko](https://mobineko.com/uk) (checked October 2026).
- Japanese labour and power cost more than Thai, so Bangkok stays the
cheaper base for Southeast Asia, where it already ships to Hong Kong,
Singapore and Vietnam (Bandwagon, 2023).
A split of Japan served from Japan and Southeast Asia from Bangkok fits
this better than one Asian hub. It is an inference, to ask about in the
collaboration talks.
For CNX it means the ~0.74M records a year the plan needs from Asian
labels ([roadmap](../roadmap.md) item 1) has to come more from Southeast
Asia, the rest of Asia and Western export, where the plants above
compete, and less from Japan's queue. That makes the buyer conversations
in item 1 more pressing, not less.
Open questions: where the Japan plant is, since when, how many presses
and which, whether it plates, and whether Bangkok keeps its orders or
volume work moves to Japan.
and which, whether it plates, whether Bangkok keeps its orders or
volume work moves to Japan, and which markets each plant is meant to
serve.
## Pricing assumptions (what a pressing plant charges)